VegettoEX Dot Com

Author: vegettoex

  • How About You? Playing Your Wii At All?

    I am constantly hearing more and more reports on gaming podcasts from journalists and general enthusiasts alike saying that their Wii is doing nothing more than collecting dust. Meri and I both have moments of guilt, ourselves, where we verbally note that the Wii is basically just sitting there for the sake of sitting there and looking pretty.

    Why aren’t we using it more? Is it the particular games we own that simply bore us? Is it Nintendo, themselves, driving us away with things like Wii Music? Why aren’t I going back to all those Virtual Console games I purchased?

    Let me toss a couple ideas out there.

    Something I’ve heard pop up a few times (and more recently Rym & Scott did a GeekNights episode about it) is that instead of playing new games, we just keep going back and playing the same old games from the past over and over again.

    I am totally guilty of this (but is “guilty” the right word to use if I don’t feel bad about it…?). Despite owning tons of games (some even unopened) that I’ve never played, I will go back and play through the original Legend of Zelda on NES at least once every two years. There’s also never a bad time to decide to sit down and beat Super Mario Bros. 3 or even the original Kirby’s Dream Land, which for me is almost like a brainless activity at this point. Then there are all the times I’ll hook up the Saturn and play a few races in Sega Rally Championship or Daytona USA. Meri has played through Ocarina of Time at least once in recent memory, and while she’s just now finishing up the first Phoenix Wright, you’ll see Super Mario World sticking out of Slot 2 down there. Then there are “new old games” like (the obligatory mention of) Rock Band. It’s basically an expansion upon Guitar Hero (which is itself an expansion on previous rhythm games), which means we’re really playing the same game that we’ve been playing for years and years and years, only with new content every week. That brings in the whole idea of a single game being its own platform, but I won’t bother getting into that, again.

    So I suppose the real question is: am I not playing the Wii, or am I just playing old games and thus inadvertently not playing the Wii?

    For people my age and older (anyone post-college, I suppose), another big factor is disposable income and the sheer amount of games. Unlike when I was younger and onwards into college and could only afford one or two games at a time, now I can pretty much own anything I want whenever I want it (for example, buying Dragon Quest IV because it was $20 this week, despite the fact that I have a row of other RPGs to get through first). There’s no need to justify a purchase for myself by forcing an entire play-through and trying to convince myself that a game is pure art when it’s really nothing more than just another game. If I get bored with it or see something shiny elsewhere, I move on.

    Pulling the Wii back in, let’s look at Super Smash Bros. Brawl versus the previous Super Smash Bros. Melee on the Gamecube. In the previous game, I not only unlocked every character, but made it a point to beat the game with every character in both single-player modes to get each version of their trophy. I would spend those coins to try and get more trophies, spin them around to look at them, read up on their history, etc. I’m not sure how much time I put into that game, but it was certainly a lot…! However, with Brawl, I only went so far as to unlock all of the characters and stages. I never actually finished Subspace Emissary (I think I got about 75% of the way through), and I didn’t put any time into creating any of my own stages (or collecting all of the parts to be able to do so). That’s not to say I never play the game ever again, though. There are instances where I’m craving some Nintendo fanboy catering, or have to laugh at how incomprehensibly bad the online-play integration was, and I pop it in for a few minutes. A get-together of friends is another great time, since I do have four Wavebirds… The point, though, is that despite dropping the $50 on the game, I simply don’t feel the burning desire or any real compelling reason to attach myself to that game solely as I would were I twenty years younger.

    How about straight-up dropping games? Personally, I’ve dropped just as many games on the Wii (sorry, Super Mario Galaxy) as I have on other systems, so there’s nothing inherently there to jump on and pick apart.

    So am I really just playing the same games over and over? Let’s take a look at what I’m playing just in the last week and see if there are any trends:

    – Rock Band 2 (360): Mentioned above; basically just Guitar Hero evolved, so yes, the same game over and over.

    – DragonBall Z: Infinite World (PS2): A mash-up of Budokai 3 (which I played through twice; US PS2 & JP PS2), Shin Budokai (which I own and dropped) and Burst Limit (which I own and dropped), so yes, the same game over and over.

    – DragonBall: Origins (DS): Whoa, a totally new game! Fancy that. I’m quasi playing it “for work“, though.

    – Final Fantasy VI (GBA): New to me! Classification is up in the air on this one, though, since it’s an evolution of games I’ve played before (III & IV) and a predecessor to ones I’ve also played (VII, VIII, X).

    How about a game I only recently kicked the bad habit of? That’s right, Pokemon. Well, FireRed was an enhanced remake of a game I had played when it first came out (in my case, Yellow) and Pearl is really just another evolution of the same game (if it ain’t broke, don’t fix it).

    So what does that say about me? Am I just playing it safe? I will admit to starting to unfortunately feel that apprehension and insecurity when I start playing an entirely new game, something I never expected myself to feel with regards to any technology.

    How does that relate to the Wii? Shouldn’t I be right at home since it’s basically a Gamecube and all my old games are there on Virtual Console? I’m totally ready to go with Shining Force II (again, another old game I’ve played through multiple times) but I really need to finish some of these other games I’m playing, first! Our Wii actually gets used like clockwork every time Andrew and Jeff are over, if only to mess around on the Everybody Votes Channel. I know, I know… it sounds ridiculous… but it’s an event in our household. We even have our own lingo to go along with it, talking about who’s the biggest “conformist” when their choices are closest to the general population, and so on and so forth.

    I also wonder if it seems like I use the 360 more than I actually do because I use it as a media center for displaying programming up on the television. Combine that with the Rock Band constant state-of-being, and I suppose it would look like I’m attached to it.

    What about you all? Does your Wii collect dust, or is it at the center of your gaming experience? Does any of that other nonsense I’ve spouted relate to you, or is it just the gibberish of yet another ranting lunatic on the intarwebz?

  • How’s Married Life? Pretty Much The Same…

    I don’t know about Meri, but I’ve certainly had quite a few people at work and in other social situations ask the standard, “So how’s married life treating you?” question. Every time, my answer is the same: a halfway-confused response of, “Well… the same as it was before, but with a ring on.”

    I wonder how much of the standard, American perception of married life is based on reality, how much of it comes from media (and more specifically, TV shows like The Simpsons and Married With Children), and how different we may or may not be from all of that.

    Is it really such a struggle? Is there really so much faux-animosity? Am I just too young and naive, still?

    The optimistic side of me realizes that our situation is probably quite different than most others. We’ve been a couple for eight years, have lived together for the last four, and didn’t even get engaged until less than a year ago. There are no secrets, no surprises, no false expectations.

    Anyone that knows us is well aware of how much we enjoy spending time together, and generally have little interest in persuing separate “girls nights” or “guys nights”… we’re together with everyone, and that’s the way we like it.

    We had something in our wedding ceremony about marriage being a union of two people, yet those two people retain their individuality and respect for that and blah blah blah. It was one of the pieces that I wasn’t fully 100% on agreeing with, but I didn’t particularly disagree with it, either. I just wasn’t sure that it perfectly explained how we are together. (If that was the least of my concerns with all the wording, I’d say that’s a pretty good thing :P)

    So what’s the point of all this? I’m not entirely sure, myself. The curious side of me is thoroughly intrigued to see if the supposedly-naive side of me is correct in thinking that we’ll never be one of those couples making lame jokes about how different marriage is down the road, getting on each others’ nerves, etc.

    Of course, I can’t possibly predict how things change if/when children enter the picture.

    For now, though… yeah, it’s the same. But with a ring on. Which I’m finally used to wearing and am not constantly fiddling with.

  • Sorry! Wanna play something else…?

    My friends list on the 360 is looking pretty funny, lately. It basically consists of 10% random games, and then 90% Gears of War 2.

    While I appreciate all the co-op / multiplayer gaming requests I’m getting from everyone to play GoW2, unfortunately (for you) I don’t have the game and don’t have much of an interest in playing it :P.

    You’ll be getting a pretty hefty update on what we all have been playing on episode five of the podcast. Right now we’re scheduled to record not this coming weekend, but the weekend after… so look for the show very soon after that. I know Andrew’s been playing more games than I can even fathom, so he’s sure to have a lot to say. You’ll probably get some crossover discussion outta me due to a couple new releases, but… well, just wait to hear about it on the show!

  • Some AMV Behind-The-Scenes Stories

    If you’re following this blog then you are probably vaguely familiar with who I am, so needless to say, I have a history with Anime Music Videos. Meri got me into them when we met back in 2000; I was seriously non-interested prior to that, but when she showed me some good ones and I saw some of the proven artistic merit, the lightbulb went off.

    My involvement with the AMV community has severely dropped off the last few years due to a wide variety of reasons (but mostly just my hobby A.D.D.). Despite that, every year we bang out at least one really good piece that I or we have had in the back of our collective imaginations for some time. What I would like to do is explain where two of these ideas came from, since it’s probably not what you would expect.

    It is very rare when the final video product ends up being exactly what I saw in my mind months ahead of time, and I can barely describe the pretentious joy when it does. In 2007, we were able to create a video that very nearly satisfied every bit of creative juice in my body. That video was “Never Fall Apart“, which I made together with Meri and Jeff.

    If you know me, then you can probably tell that Echo Image isn’t exactly in my normal scope of musical interests. It’s not that I wouldn’t be interested or wouldn’t care for the genre, but it’s simply not on my radar. I was introduced to the song we ended up using (“Will You Know?“) on a live internet radio show done by fellow podcaster “Rob Roberts”, host of Orange Lounge Radio. At some point earlier that year, Rob was running a random live show on Wednesday evenings (I think?) simply called “The Rob Roberts Show” where he would play music, take calls, talk about random stuff, etc. In addition to Cascada’s “Every Time We Touch” (which I had unbelievably never heard up until that point), Rob played this Echo Image song, which is actually a b-side on the Standing Alone CD single. I couldn’t believe my ears. The song was absolutely stunning, and combined all sorts of beautiful, individual segments together (I’m a huge fan of incorporating acoustic guitar into electric pieces). At this point there was still no AMV idea, but I simply had to have the CD. I was luckily able to order the CD single off of Amazon for standard retail price (something like $6 or $7), instead of the $30+ it’s going for used, now.

    The song embodies everything I love about my various favorite anime series, which is friendship and comraderie (DragonBall, One Piece, Pokemon, Honey & Clover… yeah, no recurring “friendship” themes at all…!). It was no stretch to end up with an AMV idea using it, and Honey & Clover made so much sense, being a recent favorite series and jumping to the total opposite end of what I normally do with shonen friendship videos (see: “I’m Above The Age Of 10 And I Like Pokemon“).

    Again, it was absolutely everything I wanted the video to be, and is probably the final over-the-top AMV production I will ever create (of course thanks to Meri and Jeff’s help!).


    ( XviD Direct Download: 57.6 MB )

    The other video is not even one I worked on in the slightest, but I suppose you could say it was “my idea”. After finishing BECK: Mongolian Chop Squad, I had a ton of random AMV ideas (once I realized that while I really disliked every single character in the show, I truly enjoyed the actual show itself and a lot of the character development). In addition to a few other ideas that I’ll shut up about since I may still actually make them, one of the “joke ideas” was “Juke Box Hero” by Foreigner. While I was vageuly familiar with the song, it wasn’t until Dave brought it up (and sang it?) shorly after the release of Rock Band on the podcast Fast Karate For the Gentleman that the AMV idea hit. When Meri was short on solid ideas for an Otakon video for 2008, I suggested this one, only half-expecting her to take it seriously (especially since she hated the song so much). Much to the surprise of both of us, the final product of “One Guitar” not only ended up being pretty solid, but has gotten an amazing amount of wonderful feedback from all sorts of people (including coming in second in its category at Otakon and winning the “Guitar Hero” award in Anime Weekend Atlanta 2008’s Exposition contest).


    ( XviD Direct Download: 67.2 MB )

    So there you go! Two of our favorite self-created videos indirectly inspired by other random podcasters out there. Whoda thunk it?

  • “Rock Band” or “Guitar Hero”: A Platform For Investment

    Harmonix has done a great job of promoting Rock Band as a “platform”. DLC is backwards/forwards compatible (meaning it works in either the first or second game), and the same goes for the fake plastic instruments. You can even export the majority of songs from the first game right into the second game, something Bemani fans have wanted forever (helping contribute to projects like Stepmania and pirated collections of hundreds of step and song files from all DDR games).

    That is exactly why the game has become such an investment. With everything working together so beautifully, it makes complete sense to say “Money be damned!” and go ahead and spend lots of virtual space money on the game, racking up a collection of dozens upon dozens of downloaded songs to play.

    I actually briefly brought up this idea with my wife (hehe! fun to say!) earlier. She thought that maybe the term “investment” wasn’t really accurate, since you’re not, for example, making any money off of it. I think it really is accurate, though. For me, that return on investment is the fun that you get from having all of it in such a convenient mass (my time and effort is worth money, I say). There’s nothing more enjoyable in gaming to me, right now, than having a bunch of people over and having the awesome ability to scroll and scroll and scroll to whatever type of song any particular person wants to play.

    Anyway, those decisions just got a lot more interesting with the release of Guitar Hero: World Tour. Suddenly you have two completely separate “platforms” that both work in the exact same way and perform the exact same function(s).

    What is a music fan to do?

    Unfortunately for Activision, I’ve already made a decision on what my platform is going to be… and it’s Rock Band. Why is this? Quite frankly, it’s because Rock Band was there first.

    I am currently up to 247 songs available in the game, including 108 downloaded songs (which itself includes those 20 free downloads with a new purchase of Rock Band 2). With such a huge amount of entertainment at my disposal in that game, it makes little sense for me to start doing the same thing in a separate game that (like I just mentioned) works and performs in the exact same way.

    This feeling is further heightened when you consider just how much overlap already exists between the games. In terms of straight-up on-disc songs, there are 13 overlaps between the two latest games. When you count DLC as-of this writing, you’re up to 19 songs. There has been very little pure exclusivity announced, so there is always a possibility that a song that shows up as DLC in one game could show up weeks (or even months) later in the other. Again, Blink-182’s “Dammit” was an on-disc song for Guitar Hero: World Tour, and even though Travis Barker was involved with that game, it didn’t stop the song from appearing as DLC for Rock Band just one week before their competitor’s launch. Billy Corgan has the exact same role in Guitar Hero: World Tour, yet “Today” appears on-disc in both games, and Rock Band already has “Siva” and “Zero” as DLC (in addition to “Cherub Rock” being on-disc in the first game). Guitar Hero: World Tour launched with Hayley Williams and “Misery Business“, but Rock Band was there first with Paramore’s “crushcrushcrush” and “That’s What You Get“.

    This is why I am so frightened to purchase any DLC within Guitar Hero: World Tour. Why purchase it for that game if there’s even the slightest possibility that I can purchase it for Rock Band and add it to the larger, pre-existing collection of music?

    If Activision wants to compete on this level with this information and these situations in mind, they’re going to have to do something that is horribly anti-consumer-friendly… bring in the exclusivity.

    There are already confirmations of this with Metallica, and they’ve even noted that Rock Band getting an Aerosmith song took place before they grabbed the band for Guitar Hero: Aerosmith. The consumer (read: ME) would need this knowledge that there is absolutely no chance of them getting a band’s music in the other game (in this case Rock Band) before they would consider purchasing it for the new game (in this case Guitar Hero).

    So what is the point to this tirade? Is it just more pro-Rock Band shenanigans from me? Possibly; I certainly wouldn’t deny that. If nothing else, it proves that Harmonix was the one with the foresight to plan for all of this and get there first.

    Finally, as a brief follow-up to yesterday’s “Subtle Harmonix Genius” post (and pretty much falling in line with the above conclusion), they’ve announced that next week’s Rock Band DLC is going to be the entire Foo Fighters album The Colour and the Shape. It’s not the No Doubt pack I was expecting, but it *is* a giant pack of music from yet another artist that is also featured in Guitar Hero: World Tour, and that’s more or less exactly what I expected them to do (I just predicted the wrong artist :P).

    EDIT: In thinking about this a little more this morning, I realized that I’ve basically described a typical video game console war… except the games, themselves, are acting as the consoles. Sure, we’ve always had this type of competition (especially in things like yearly sports games; EA vs 2K for example), but never has it reached the $200-to-entry threshold level between competitors (for the full experience, anyway).

  • Subtle Harmonix Genius

    Hey, all. I’m back! I have a lot to talk about on whatever (and whenever) the next podcast is about gaming on a honeymoon, but until then, it’s business as usual for me.

    (That basically means that I talk about Rock Band in some capacity, if you’re new here.)

    So I picked up Guitar Hero: World Tour (game-only) Monday evening after getting back into the states. I was considering getting the guitar bundle as the new guitar looks pretty sweet, but since my Guitar Hero III one is still kicking pretty well and the whammy bar is the only broken component of my original Rock Band one, I’ll just hold out until something major actually snaps somewhere before I upgrade. I’m not going to talk about the new Guitar Hero just yet, though. I do have a whole lot of comparisons and such I’d like to make, but it’s not time for that yet.

    I want to talk about some, as I’ve titled it, “Subtle Harmonix Genius”. Harmonix, as you may well know, is the developer of Rock Band (and originally Guitar Hero, before the four or so involved companies all got split apart, sold, acquired, formed new alliances, etc.). I’ve been keeping an eye on what Harmonix has been doing with Rock Band (more specifically Rock Band 2, though it’s all one big platform, as they’ve accurately described it) as the release of Guitar Hero: World Tour neared. It’s all extremely intriguing, and quite sly if you dig really deep into it. Let me give you a few examples.

    Foo Fighters’ “Everlong” is an on-disc song in both Rock Band 2 and Guitar Hero: World Tour. Months ahead of time (back in July), Harmonix began heavily promoting their game with “Everlong“.

    System of a Down’s “B.Y.O.B.” is an on-disc song in Guitar Hero: World Tour. On August 5th, Harmonix made “B.Y.O.B.” available as DLC for Rock Band.

    Nirvana’s acoustic (MTV Unplugged) version of “About A Girl” is an on-disc song in Guitar Hero: World Tour. Two weeks prior to the game’s release (on October 21st), Harmonix released a seven-track pack of Nirvana songs as DLC for Rock Band.

    Travis Barker, current drummer for Blink-182, was involved with Guitar Hero: World Tour in that he was motion-captured and appears as a playable character/avatar. Blink-182’s song “Dammit” is an on-disc song in the game. One week prior to the game’s release, Harmonix made “Dammit” available as DLC for Rock Band.

    The week of Guitar Hero: World Tour‘s release, Harmonix announced that the 20 free downloadable songs promised with all new purchases of Rock Band 2 would become available.

    I haven’t even touched on a whole ton of other songs that are available in both games, via all sorts of combinations of on-disc and DLC (“The Middle“, “Lazy Eye“, etc.). Take a look at No Doubt, though. I’ll make a prediction and say that Harmonix’s promised “The Best of No Doubt (Rock Band Edition)” pack will be made available extremely soon, hot on the heels of Guitar Hero: World Tour and its on-disc “Spiderwebs“.

    None of these are coincidences. These are all calculated and smirk-inducing examples of the genius over there at Harmonix. I can see plenty of examples of a potential Guitar Hero: World Tour consumer who already owns Rock Band looking down the set-list and saying, “Why buy the whole new game when I can just spend $10 on DLC and get just the songs I want in a game I already own…?”

    More Rock Band / Guitar Hero discussions coming from me will be on the topics of the series as a platform and choosing one side to make an investment in, actual comparisons between the two games and their gameplay, and a whole heck of a lot more.

    No, there will be no Rock Revolution discussion. Sorry, Konami.

  • Foreign Things Confuse Me

    I am back from the Honeymoon! We went on a cruise to Spain / Italy / France, and I am going to have a ton of pictures and stories to share (especially from Pompeii). In the meantime, I have something simple.

    This question goes out to all you Europeans out there. I should probaby have figured this out on my own (or just asked Andrew), but it gives me an excuse to use the WordPress iPhone app and put up a picture.

    So anyway, what the Hell is that thing on the right of the toilet?

    There was a regular sink across from it all, so I’m at a loss. Am I supposed to pee into it? It looks like another sink, but it is so low to the ground. Maybe to wash my hands if I fall? Or vomit into if I am super drunk and can’t get off the bathroom floor?

  • Losing Games Via Loans

    Since I’m leaving for my honeymoon tomorrow, I was briefly over at Jeff’s dropping off another key and talking about our kitties. I had a bunch of my stuff returned top me while I was there… stuff which I had almost no recollection of even loaning to Jeff in the first place. They included:

    – Mario Party 8
    – WarioWare: Smooth Moves
    – Wii Play
    – GBA (original) w/ Link’s Awakening (original)

    I remember loaning him the GameBoy Advance and Link’s Awakening after the first episode of our podcast, but I had completely forgotten about those Wii games. Now that I have them back I remember bringing them over there for his house-warming party, but since then I had completely forgotten I even owned them. It’s really funny, because just the other day I moved a whole bunch of games around on the various racks and shelves  here, and I remember thinking to myself, “Huh… I thought I owned a couple more Wii games. *shrug*”

    It reminds me so much of being a kid, loaning games to friends… and never getting them back. For me, it had a lot to do with the fact that I moved around so much (I went to four high schools in as many years). The two examples that I remember very well are Super Mario Bros. 3 (NES), which Jennifer (the girl who lived across the street from me) borrowed. The other was Super Mario Land 2: 6 Golden Coins (GB), which my friend Ryan (who actually got me into DBZ) borrowed. I’m sure there are plenty of others that I’ve lost this way over the years, but those are the two that I’m most mad about! God dammit, I’ve been dying to play SML2 again, and not emulated! C’mon, DS-version on Virtual Console!

    So I leave you all for the next week or so with this question: What games have you lost in a similar manner?

  • I Pirated. Then I Bought. Huh.

    A couple weeks back, I was feeling the urge to listen to some new music. I have a tactic that I’ve used every so often, and since it results in awesomeness more times than not (like originally finding Anberlin many years back), I decided to give it a go once more.

    I took a look at the upcoming release schedule for October over on Absolute Punk, picked a random band, looked them up on Wikipedia to see what type of music they played, and illegally downloaded the advance copy of the album (either on IRC or a torrent site; can’t remember which).

    The band I picked was Pompeii. An indie rock band with influences of Explosions in the Sky and Phil Collins, with comparisons to Sigur Ros? How could I not like this band?!

    I ended up downloading their new album (which just came out yesterday), Nothing Happens For A Reason. I knew things were going to be wonderful when the first track was titled, “Where We’re Going, We Don’t Need Roads” (that’s a line from the end of the first Back to the Future movie, if you happen to be uncultured). Combine all that with the realization that I’m actually going to Pompeii on my honeymoon, the fact that “Pompeii” is a great song by Gatsbys American Dream…

    Well, I have a new favorite album of the year thus far.

    But here’s where it gets interesting. I saw that the band had been around for a couple years, and had a previous album released called Assembly. I quickly looked around, and saw that there weren’t any active torrents. Next I went to Amazon to see if they offerred it (both as download and as physical CD). I saw that they only had a couple left in stock.

    I figured that since I already loved their new album so much, I may as well just order them both right there on the spot. Threw them both into my cart, chose the Super Savings Shipping, and had them the day after they shipped (which means I got the new album right on its release date).

    I’m absolutely in love with this band and their music. I am so glad I went through the motions of my random downloading, because I otherwise probably would never have heard of them, nevermind bought two of the albums. If you’re interested, Assembly is $11.98 on Amazon, and Nothing Happens For A Reason is $13.98 on Amazon; neither of those are referral links, so don’t think I’m trying to make a quick buck, here!

    For single songs, I tend to just download the most convenient DRM-free version, but for full albums, I’m all about owning the physical product. I still love opening a new CD, checking out the artwork (I mean, c’mon… look at those!), and knowing that I can rip it to any format and quality that I want as the years go on.

    I am in absolutely no way trying to justify anything, or suggest that this is the typical situation or even the exception. Quite frankly, I don’t even give a rat’s ass what you think of what I did. All I’m doing is describing one experience I had. Was it beneficial to me? Was it beneficial to the band? Was it beneficial to anyone else?

    Who cares? I just found two new albums that I love to death.

  • Video Game References At A Wedding

    So I’m back and married, now. Woo-hoo! Leaving again for Barcelona in a couple days to go on a cruise! Woo-hoo!

    I’m not here to just go on and on about the wedding. You don’t care about that (most likely). You care about video games; that’s why you’re reading this (most likely). What I’m trying to say is that I’m here to talk about both the wedding, and the video game references there-in.

    The wedding was pretty “traditional” overall, with no obvious, strange things pointing to the contrary. Being who we are, though, we weren’t about to pass up the chance to slip little things into the ceremony and reception that key friends (and maybe family) would understand and see the meaning in.

    The first video game reference we had was actually our recessional music (the song played as we walked out of the actual marriage ceremony after being pronounced husband and wife). The song choice? The Final Fantasy “Prologue“, and specifically the version from Celtic Moon. I actually cut the very beginning (our wedding version begins right where the main tune normally starts), and sped it up about five percent. It was absolutely wonderful.

    The second (and probably final) video game reference was our cake-cutting music. The traditional songs are usually dumb ones like “Pour Some Sugar On Me“, or otherwise totally inappropriate songs that vaguely reference sugar or something sweet. Our choice? C’mon. Video game. Cake. Sense of humor. Do the math.

    That’s right, “Still Alive” (from Portal) was our cake-cutting music. We didn’t use either the GLaDOS or Jonathan Coulton versions, though. We actually used a piano version by Jarrett Heathe (you can download the MP3 we used on their YouTube entry for the song). What made it all the more amazing was about halfway through when all of our friends in the back starting singing the lyrics along with the song, much to the confusion of the rest of our attendees. Apparently our DJ came up to them afterwards and was all, “Wait, there are lyrics to this song? What is it? Huh?”

    At the end of the day, what I am actually trying to stress and say with this entry is that you can do these types of things on your special day, and pull them off respectfully. Unless anyone knew any better, both of those songs were just that… songs. They were beautiful pieces that fit the mood perfectly, and are easily forgettable at the same time as just regular ol’ classical-style songs that were played at a wedding.

    But to us they held deeper meanings, let us express ourselves, and we were able to share those connections with those who understood us. It’s something I’ve talked about elsewhere, but the concept of simply passing for normal productive members of society is incredibly important… that doesn’t mean, however, that you can’t slip in those little pieces of your nerd life!